Interview: SUMMONING

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While numerous bands (both heavy metal and otherwise) have drawn lyrical and conceptual inspiration from the works of JRR Tolkien over the years, few if any have managed to translate the late author’s work into music in as singular a fashion as Vienna’s legendary Summoning.  For two decades, the duo of Silenius and Protector have crafted fantastically immersive, utterly entrancing symphonies of synth-heavy, atmospheric black metal inspired by such timeless works as the The Hobbit, The Simarillion and The Lord of the Rings trilogy.  Over the course of seven full length albums and two EPs, they have transformed this rich literary mythology into a total musical environment that’s both regally breathtaking and strangely melancholic, carving out a style for themselves which is truly theirs and theirs alone, and in turn inspiring a rabidly devoted fanbase.

After over half a decade of silence, the masters of “Austrian epic black metal” are set to return with their best album yet in the form of Old Mornings Dawn, which will be unleashed on June 5th via Napalm Records.  Silenius and Protector were gracious enough to answer my questions via e-mail in advance of the album’s release.
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On being a false vs. Going to MDF…

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Maryland Deathfest 2013 begins tomorrow. I haven’t been to a music festival of any kind since Lollapalooza… 1996. Ok, that’s not entirely true, I did go to local hair band fest a few years back, but I got in for free and was only there for an hour to see Ace Frehley play and grab a tenderloin, so I don’t think that one really counts. Anyway, every year when MDF rolls around, there’s a part of me that wishes like hell that I was going. Take this year’s installment for instance; I’d kill to see the likes of Integrity, Manilla Road, Revenge, Aosoth and Bolt Thrower, what metalhead in their right mind wouldn’t?

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Katatonia @ Wooly’s, Des Moines, IA 05/15/13

088Jonas Renkse is a difficult man to photograph. For the entirety of Katatonia’s set Wednesday night at Wooly’s, the singer kept his face deliberately obscured behind a mass of hair; as if not wanting to face the crowd. But his jovial between-song demeanor and powerful performance spoke otherwise; his exquisite vocals the undeniable focal point of the Swedish quartet’s excellent hour long set opening for prog metal grand poobahs Opeth. In some ways, Herr Renkse’s locks could be a metaphor for Katatonia’s music; their underlying metal-ness often obscured by heaps of beautifully dark, multi-textured melancholia.

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The Sun Through a Telescope releases video for “Mr. Yawning Infinity Chasm/Superinfinity”


It feels like it’s been forever since we last heard from The Sun Through a Telescope, but in reality it was just last year that the ultra-demented Canadian drone/metal entity unleashed the fascinatingly bizarre Summer Darkyard EP across a variety of outlets; you might even recall that I interviewed TSTAT mastermind Lee Neutron extensively following its release. The YouTube clip above is for “Mr. Yawning Infinity Chasm/Superinfinity,” the first taste of TSTAT’s forthcoming new full length I Die Smiling, to be released digitally via Bandcamp, as well as on cassette through Dwyer Records and on CD through Mutants of the Monster Records.

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Trashed Sabbath: Getting weird with Born Again.

Black_sabbath_born_again_2004_retail_cd-frontI’ve long tried to come up with an excuse to write about Black Sabbath’s Born Again.  Most who’ve heard it will probably agree with me that it doesn’t belong on any top albums list you can thing of, yet it possesses a certain strange appeal that’s as much because of its flaws (of which there are many) as it is in spite of them.  As I was loading all the Black Sabbath I own onto my iTunes and got ’round to this 1983 disasterpiece, I finally said to hell with it, it’s time to devote some digital ink (not to be confused with the “Digital Bitch;” keep away from her) to one of the weirder metal albums in my collection.
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Interview: DARKTHRONE [FENRIZ]

Darkthrone - PortraitsWhat can I say that hasn’t already been said about the goddamn mighty Darkthrone?  It’s been three years since I last interviewed drummer/co-vocalistFenriz, so naturally I jumped at the chance for a second round of interrogation upon the release of Darkthrone’s sixteenth(!) album, the ridiculously awesome The Underground Resistance.  I mean shit, it isn’t every day you get the chance to interview your favorite fucking band.
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