THKD t-shirt sale updated list 8/3/14

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I still have a ton of good shirts left for sale. Most are like new and some have hardly ever been worn. All shirts are $8.00 each unless otherwise marked. Don’t like the prices? Make me an offer and we’ll work something out. I ship all packages with tracking numbers via well-packed flat rate USPS mailers. USA customers only, please.  If you’d like to see pictures of any of the shirts, please e-mail me and I will be happy to send them.

If interested, e-mail me at thatshowkidsdie@gmail.com.  Full list of shirts after the jump.

PRICES DO NOT INCLUDE SHIPPING – Unfortunately I was getting killed on shipping last time around, but I promise won’t charge you an arm and a leg.

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THKD T-SHIRT SALE!

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Hey friends, now that we’re all moved it’s time to clean out the closet. I have a ton of band shirts that I never wear, sizes M, L and XL, most are in excellent condition (unless otherwise noted) and have barely been worn, some probably never worn at all. Below is the master list, all shirts are $8.00 each PPD unless otherwise noted and if you don’t like the price make me an offer! Feel free to spread the word and help a brother out. I will be happy to supply photos of any shirts you might be interested in. Message me here or e-mail me at jjhaun@gmail.com (serious inquiries only). US customers only please.

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Eyehategod – s/t (Housecore Records, 2014)

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Hard to believe it’s been fourteen years since Eyehategod’s last full length, Confederacy of Ruined Lives.  That album was my first Eyehategod experience; I admittedly came late to the band (keep in mind I was twelve when In the Name of Suffering came out), but it was a true case of love at first listen.  Sure, I was well-versed in metal by the time I picked up the album at my local Best Buy, but I had never heard anything quite like their ultra-corrosive Black Flag meets Black Sabbath in a dark alley blues, and I couldn’t wait for my next fix.

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Cassette Label Summit 2014

 

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I’ve spent a lot of time covering cassettes here at THKD, not just because I dig them, but because I truly believe that some of the best and most interesting heavy music today is being released by smaller labels who have embraced the format as an affordable way to bring the underground to the masses.  As such, my relationship with several of these labels has become far more personal than just receiving an e-mail blast from some faceless PR company; their owners have proven to be incredibly personable and genuinely appreciative of the coverage I’ve given them.  But, as deeply as I’ve delved into cassettes and as much as I’ve chatted with those who are in the business of releasing them, I still had many unanswered questions.  What motivates them?  What brought them to the format?  At the end of the day, does the format even matter?  In an attempt to answer these and many other questions, I gathered the gents behind the labels for a virtual round table discussion of all things tape-related.

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Heavydeath – Demo I (Caligari Records, 2014)

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Between the two of them, Johan Backman and Nicklas Rudolfsson have done time in heavy hitting Swedish acts such as Sacramentum, The Funeral Orchestra, Necrocurse and Runemagick, but when the two come together as Heavydeath is when things get really, uh, heavy.  Indeed, the duo have crafted a deep, dark, death doom voyage with their first demo, appropriately titled Demo I, and just as you might expect from seeing the Caligari Records logo stamped on the j-card, it’s a very good one.  Oh, and did I mention yet that it’s heavy?

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Sun Splitter – Live on WFMU (Sol y Nieve, 2014)

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Longtime readers of THKD know that I’m typically not big on live recordings. But, I am big on Sol y Nieve; the upstart Idaho-based label has already released two of this year’s finest slabs of black metal in the form of Nemorensis’ The Lady in the Lake and Hellebore’s Anouof Thwo, so if they deem a live release to be worthy of the same treatment, then I’ll sure as hell give it a listen.  I’m glad I did, because Sun Splitter’s Live on WFMU is a sonic nightmare of ultra-corrosive industrial metal that’s more than managed to win me over in spite of my admitted prejudice towards live material.

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