How in the blue hell did I manage to get even this far into the THKD Top 100 without covering a Danzig album?! Granted, the list is in no particular order, but given my Danzig super-fan status, you’d think I would’ve touched on one of the man’s records within the first few posts. The bands/artists you love the most are always the most difficult to write about and let’s face it, I’ve already devoted a fairly exhaustive amount of digital ink to the goddamn mighty GD (here, here, here, here… need I go on?). What’s left to say about my love for the man and his music at this point?
Underground metal is a land of extremes. Bands playing so fast that a human drummer can’t keep up, bands playing so slow they make a glacier look speedy, bands trying to play the heaviest, the most technical, the most brutal, the most… ah, fuck it, you get the idea. What I’m attempting to get at is, there’s typically no such thing as subtlety in the circles we travel in. This is what makes Emptiness’ Nothing but the Whole such a refreshing album. Where other bands seek to crush your soul in the first thirty seconds, Emptiness would rather watch it slowly wither and die.
Longtime THKD readers will recall that late last year I finally got to see Danzig live after being a fan of the man and his music for twenty years. Considering the fact that the set included a slew of Danzig classics + a mini-set of Misfits songs featuring Doyle Wolfgang Von Frankenstein on guitar, I was convinced that I could pretty much die happy.
I’ve long had a thing for the gothic/darkwave sound, and although I don’t seek it out as rabidly as I do metal, some great bands in this style have been coming my way of late. Last year saw Ghost Noise releasing a promising debut album and the past few months have been all about Bad Psychic’s stunningly beautiful Soon. Now we have Gainesville, FL trio Ars Phoenix gracing us with yet another must-hear take on the genre in the form of Violent Rain.
It’s been a little while since we last heard from Sygil Records, in fact it’s been just over a year since I reviewed one of their releases (Charnel House’s excellent Black Blood). I’m pleased to say that after an all-too-lengthy silence, the label is back with yet another recording that challenges our perceptions of what dark and heavy music can be. That recording is Soon, the debut full length from Bloomington, Indiana’s Bad Psychic.
There are few things that please me more right now than this resurgence we’re currently seeing in the gothic sounds of the 1980s within the realm of heavy music. It appears that metal musicians have taken a shining to the the stuff of late, or maybe they’re getting bored with metal, or perhaps they always had it and are only now allowing themselves to cut loose and release the bats. Whatever the case, Helsinki’s Beastmilk are absolutely killing it with their debut album, Climax.
When I first started thinking about how to approach THKD’s year end shenanigans for 2013, I tried to come up with ideas for different types of lists that would get away from the traditional top albums countdown. Turns out I’m more scatterbrained than creative, because what I ended up with was a bunch of stuff that really didn’t fit together or adhere to any sort of unifying theme. Instead of giving up on the idea, I decided to gather a few of these things together under one banner even though it didn’t make any sense whatsoever, just for the sheer joy of it, in addition to a more traditional year end list. So here it is, the second year end “bonus list” prior to the top metal albums countdown, which will be published on 12/13/13; THKD’s top 10 random-ass things I enjoyed in 2013.