What can I say that hasn’t already been said about the goddamn mighty Darkthrone? It’s been three years since I last interviewed drummer/co-vocalistFenriz, so naturally I jumped at the chance for a second round of interrogation upon the release of Darkthrone’s sixteenth(!) album, the ridiculously awesome The Underground Resistance. I mean shit, it isn’t every day you get the chance to interview your favorite fucking band.
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Category Archives: Interviews
Interview: OMNIUM GATHERUM
Finnish sextet Omnium Gatherum is a band that’s been on my radar for many years, but with 2011′s New World Shadows, they went from being a pleasant blip on my screen to a “holy shit it’s coming right for us!” These guys have moved so far ahead of the melodic death metal curve that they’re pretty much in a class by themselves, moving the subgenre ever forward and becoming its undisputed flagship band in the process. In 2013 they’ve set the bar for melo-death once again with Beyond, a downright beautiful juxtaposition of Maiden-esque melody, beastly vocals and a knack for creating music that’s progressive without ever falling victim to sounding overblown of pretentious. I got in contact with OG guitarist Markus Vanhala, to discuss the new album and the band’s plans for world domination in 2013.
Interview: THE ASH EATERS
I must admit, I was late to the party on Brown Jenkins; I didn’t hear them until the inimitable Nathan T. Birk sent me a copy of Death Obsession while he was doing PR work for the once prominent black metal label Moribund Cult. I fell instantly in love with the band’s spellbinding attack, which blended elements of black metal, doom and gothic rock with an appropriately Lovecraftian sense of dread and crumbling sanity. I gave the album a glowing review for the now-defunct Sonic Frontiers(dot)net and subsequently came into contact with band mastermind Umesh Amtey. That correspondence blossomed into a friendship that I’ve had the pleasure of enjoying for several years now; although Amtey and I have never met in person, I consider him a close comrade and look forward to the day when we can raise our glasses together in the same room.
As a result of our friendship, I’ve had the distinct privilege of watching the next phase of Amtey’s musical journey come into being. The Ash Eaters shares some traits with Brown Jenkins, but is an all together different beast. The guitar-work is more complex, the arrangements are more frantic, attacking the listener from every direction, while at the same time remaining catchy and memorable; Amtey has drawn from a wide range of influences and pushed them forward in every way imaginable.
I’ve been waiting for my chance to interview Mr. Amtey, so when he finally gave Ruining You, the debut Ash Eaters full length, to the world after a string of shorter releases, I knew the time had finally come. While I’ve had many private conversations with him regarding his musical history, motivations, influences, etc, I wanted to afford my readers the same opportunity to learn more about this truly unique individual and the excellent music he’s been releasing over the past several years. I contacted Mr. Amtey via e-mail for the following interrogation.
Interview: ALUK TODOLO
Aluk Todolo’s Occult Rock is one of the best albums you’ll hear this year; a monolithic double LP of blackened experimentation of the highest order. With help from the incomparable Nathan T. Birk, I contacted the band via e-mail to gain some insight into their instrumental alchemy. The following interrogation transpired…
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Ground Zero: Backlit zine #0 issue out now!
Friends, Romans, THKD readers,
Roughly 5 months ago, Brandon Duncan (whom you may know from The Sequence of Prime) contacted me with an idea; let’s start a new online metal zine. Typically I prefer to work alone, but Brandon’s enthusiasm is contagious and I’m proud to call him my friend, so there was absolutely no way I could refuse. Brandon gathered an ace design team while I hand-picked some of my favorite writers from internet metal land with the express purpose of creating something new and unique, to drag the old school metal zine into the future, come Hell or high water with an emphasis on good old-fashioned writing and design.
After 5 months of hard work, I’m proud to present to all of you the fruits of our labors in the form of Backlit #0; fifteen pages of mind-melting music, art and literature.
Backlit / 0
Inaugural Issue
Now available at backlitzine.com
Cover Art by Dan Harding
Columns:
Raping Angels in America #1 / Joshua Haun
Angry Old Men / Jordan Campbell
Helpless Child / Dan Obstkrieg
Fucking The Future / Joshua Haun
Libations in the Labyrinth Vol. 1 / Dan Obstkrieg
Words That Wound / Dan Obstkrieg
Doomsday Device / Joshua Haun
Interviews:
Interview With Jester King Brewery / The Dragon of M87
Interview With Ashencult / Jordan Campbell
Art & Fiction:
Succubus in the Attic / Nikki Guerlain
Dan Harding: The Fine Art of Horror / Brandon Duncan
STAFF:
Overlords:
Joshua Haun
Brandon Duncan
Contributing Writers:
Joshua Haun
Jordan Campbell
Danhammer Obstkrieg
The Dragon of M87
Copy Editor:
Danhammer Obstkrieg
Design:
Brandon Duncan
Philip Tyson
Spencer Walker
I hope that you will all enjoy reading the first issue of Backlit as much as we enjoyed crafting it. This is only the beginning!
That’s How Kids Die vs The Sequence of Prime: Round II
The Sequence of Prime’s Brandon Duncan isn’t just a musician and artist I admire. He’s someone that I’m happy and proud to call my comrade; sometimes our conversations lead me to suspect he really is my brother from another mother. His music is a whirlwind of grinding, mechanized thrash, while his art is equal parts cosmic, apocalyptic and futuristic. In honor of the release of Inter-, his latest collection of face-rippers under The Sequence of Prime moniker, we chatted over a series of e-mails about everything from the new album, to HP Lovercraft, to the multiverse. Read on for one hell of a verbal ride…
Interview: PANOPTICON
Panopticon’s Kentucky is one of the finest black metal albums you’ll hear this year. But it’s more than just a black metal album. It is one man’s ode to his home state, a downright joyous fusion of ripping USBM and Appalachian folk/bluegrass traditions, resulting in something that has to be heard to be believed. I contacted Panopticon mastermind and sole member Austin Lunn via e-mail to learn more about the concepts behind Kentucky and the following interrogation ensued…
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Interview: The Sun Through a Telescope
Way back when I first started talking about Bandcamp, I highlighted a selection of stellar bands that were using the site as a platform to promote their music. One of those bands was The Sun Through a Telescope, a one-man drone/doom/experimental outfit creating eerie, unsettling tunes emanating from somewhere within Canada’s frozen wastes. I was recently contacted by TSTAT mastermind, drone overlord and all-around awesome dude Lee Neutron regarding TSTAT’s new EP, the excellent Summer Darkyard, which is out now digitally via Handshake Inc, Grindcore Karaoke and of course plain ol’ Bandcamp. Intrigued by his latest release, I decided the time was ripe to harass Neutron for some answers via e-mail, and the following interrogation transpired.
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Interview: IPERYT
If you haven’t yet heard Iperyt’s No State of Grace, you’re missing out on one of the finest slabs of industrialized black metal to come along in years. The Polish quintet’s mix of eviscerating, blackened riffage and pummeling electronics pushes the intensity so far into the red that few if any can ever hope to match it. I spoke to programmer/vocalist Shocker via e-mail to get the lowdown on No State of Grace and the inner workings of Iperyt’s nihilistic musical assault.
Josh Haun: For our readers who might not be familiar, can you tell us about how Iperyt started and what your motivations were for forming the band?
Shocker: Hi! To make a long story short: it all started a long time ago when I met Hellhound (guitar). I was coming from a speedcore/hardcore techno world and he had been involved in black metal for a long time. We found a common ground on our views, music and world and we decided to experiment a bit and try to compose some music together. And that’s how the whole idea of Iperyt came to life. Later Black Messiah (guitar) joined and finally People Hater (vocals) and Abuser (bass). Our first EP Particular Hatred was released. Then some gigs, some problems, new releases and so on. Typical stuff for a band.
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Born (to grind) too Soon: the Maruta interviews
I first encountered Floridian grindcore lords Maruta back in 2008 while they were touring behind their debut album In Narcosis. I distinctly remember vocalist Mitchell Luna almost inadvertently whipping the beer out of my hand with his microphone chord, such was the manic energy he and the rest of the band were releasing on stage. I was totally blown away, and Maruta had clearly stolen the show. I briefly spoke with Luna afterwards, long enough to buy a copy of In Narcosis and requisite t-shirt + shill a bit for the website I was writing for at the time (Sonic Frontiers.net, don’t bother looking for it, it’s not there anymore) in the hopes of securing an interview. The interview happened a few months later and In Narcosis wound up taking the #7 slot on my best metal albums of 2008 list. Continue reading
