Gore House Productions is on a mission to brutalize the living hell out of 2015. First they pummeled us to a pulp with Bloodscribe’s Prologue to the Apocalypse, now they’re stomping the bloody remains into the ground with Completely Devoured, a short sharp shock of an EP from Riverside, CA’s Hideous Rebirth. It’s ten-and-a-half minutes of chainsaw guitars and gristle-gargling vocals that manages to leave a mark in spite of its brevity.
I often find that the seasons dictate my listening habits. For instance, fall is all about the Misfits, Samhain and Type O Negative, while winter is a feast of frigid black metal (yes, even in California, ridiculous as that may seem). Summer brings with it an obsession with Pepper Keenan-era Corrosion of Conformity and more specifically with Wiseblood. Even though summer hasn’t officially hit yet, I already find myself blasting this album in the car with the windows rolled down as the days start to get warmer and the desire to spend them chained to a cubicle hits rock bottom.
Not to be confused with the long-running Bay Area thrash/speed metal band of the same name, Norway’s Heathen is an obscure black metal entity that recently released its debut full length via the mighty Caligari Records. The first thing that struck me about Heathen is that there is literally no information on them to be found; nothing is known about the band’s lineup, their online presence is meager to say the very least, and they’ve already developed a penchant for self-titling multiple releases. Indeed, there is an air of mystery that surrounds Heathen, but if this excellent tape is anything to go by, rest assured that they have much more than an esoteric image going for them.
Alright, you guys know I’m not much for “news bits,” but Sacramento’s Church are a band I’ve been super-duper excited about ever since seeing them open for Dispirit late last year, and now that their debut recordings are finally available on ye olde interwebs in the form of Unanswered Hymns, I wanted to make sure THKD readers had the scoop before all the big online metal outlets get a hold of this great band.
It’s been a few months since we last heard from the increasingly prolific Caligari Records, but fear not, because the label has recently released yet another slew of great tapes, the greatest of which just might be Seven Bloodied Ramparts, a reissue of the third album from obscure UK metallers Bretwaldas of Heathen Doom. Originally seeing an extremely limited physical release back in 2010, Seven Bloodied Ramparts might be a bit of an oldie at this point, but make no mistake, this is an album that deserves to be heard well beyond the handful of diehards that picked up on it the first time around.
It’s been a quiet year so far on the slam/brutal death metal front here at THKD. I get a serious hankering for this shit every so often, and due to the lack of promos I have to admit I’ve been jonesing hardcore for the right band to come along and crush my skull with some ignorant slams. Just when I was about give up hope, my friends at Gore House Productions hit me upside the head with Prologue to the Apocalypse, the debut full length from Los Angeles’ Bloodscribe. Although the album clocks in at a mere twenty-six minutes, it has managed to more than satisfy my craving for a hefty dose of brutality.
I admit it, I fucked up. When Irk contacted me during the summer of last year about reviewing their Bread and Honey EP, I was thoroughly impressed with their noise rock assault and told the band that I’d be all about giving it a write-up. But as I continued to drown in a never-ending flood of new music in the ensuing weeks and months, I got in over my head, and as a result the promised review never materialized. So when the band graciously contacted me again regarding their split with fellow UK noise-makers Wren, I immediately felt like total crap when I realized I had allowed their previous release to slip through my fingers.