Bretwaldas of Heathen of Doom – Seven Bloodied Ramparts (Caligari Records, 2015)

a1537650385_10It’s been a few months since we last heard from the increasingly prolific Caligari Records, but fear not, because the label has recently released yet another slew of great tapes, the greatest of which just might be Seven Bloodied Ramparts, a reissue of the third album from obscure UK metallers Bretwaldas of Heathen Doom. Originally seeing an extremely limited physical release back in 2010, Seven Bloodied Ramparts might be a bit of an oldie at this point, but make no mistake, this is an album that deserves to be heard well beyond the handful of diehards that picked up on it the first time around.

Continue reading

Napalm Death – Apex Predator – Easy Meat (Century Media, 2015)

Napalm-Death-Apex-Predator-Easy-MeatHow good is the new Napalm Death death album?  Against all odds, this band continues to age like a fine wine, and Apex Predator – Easy Meat continues the unfuckwithable fifteen-years-and-counting roll they’ve been on since 2000’s Enemy of the Music Business.  I pretty much said everything I have to say about the band’s late-career renaissance in my review of 2012’s Utilitarian, but it’d be downright shameful if I neglected to spill at least a little bit of digital ink on the stunning piece of work they’ve unleashed in 2015.

Continue reading

Dropdead / Full of Hell / Noisem / Plague Widow / RAD @ Midtown Barfly, Sacramento, CA 08/24/14

10390426_10154240257795389_6078662552501279342_n

My second show in Sacramento was in some ways a throwback to my younger years in Des Moines; I used to walk down to Hairy Mary’s by myself to see shows because my sorry ass didn’t have a car and to make matters worse I didn’t know anyone else who gave a shit about the underground.  Not being much of a grindcore fan, my wife decided to sit out Sunday’s matinee at the Midtown Barfly, and as a result I found myself flying solo once again, which is always a delightfully awkward experience given that I’m not exactly the most outgoing person out there.  Also, many of those shows I hoofed it to back in the day were heavy on grindcore bands such as Black Market Fetus, Strong Intention, Catheter, Entrails Massacre and Phobia, to name but a few, so I was excited to experience a show in a similar vein in my new city.  A complete and utter lack of social skills doesn’t matter much when you’re being pummeled at a million miles an hour by some of the most vicious and unrelenting music out there.

Continue reading

Street Sects – Broken Windows, Sunken Ceilings (self-released, 2014)

cover

2014 will be remembered as the year that actually got me excited about extreme music again.  I haven’t exactly been bored, but it seems like this year I’m finding so many exciting young bands that are doing something truly interesting within the genre paradigm.  One such band is Austin’s Street Sects, who are releasing the second part of their “serial album” in the form of Broken Windows, Sunken Ceilings.  The duo creates what can best be described as electronic hardcore; violent, jarring and noisy as hell, like a factory full of automated machinery going haywire and collapsing on itself, the machines still trying desperately to function however imperfectly amidst the burning wreckage.

Continue reading

THKD T-SHIRT SALE!

image

Hey friends, now that we’re all moved it’s time to clean out the closet. I have a ton of band shirts that I never wear, sizes M, L and XL, most are in excellent condition (unless otherwise noted) and have barely been worn, some probably never worn at all. Below is the master list, all shirts are $8.00 each PPD unless otherwise noted and if you don’t like the price make me an offer! Feel free to spread the word and help a brother out. I will be happy to supply photos of any shirts you might be interested in. Message me here or e-mail me at jjhaun@gmail.com (serious inquiries only). US customers only please.

Continue reading

Eyehategod – s/t (Housecore Records, 2014)

PromoImage

Hard to believe it’s been fourteen years since Eyehategod’s last full length, Confederacy of Ruined Lives.  That album was my first Eyehategod experience; I admittedly came late to the band (keep in mind I was twelve when In the Name of Suffering came out), but it was a true case of love at first listen.  Sure, I was well-versed in metal by the time I picked up the album at my local Best Buy, but I had never heard anything quite like their ultra-corrosive Black Flag meets Black Sabbath in a dark alley blues, and I couldn’t wait for my next fix.

Continue reading