My first exposure to Sewer Goddess came back in 2013 in the form of Mutilation Process, a thoroughly unsettling live recording released on cassette by the always great Graceless Recordings. Ever since that initial taste of their harsh electronic depravity, I’ve longed to hear more from the band, but tracking down their releases is no easy task. Fortunately, they’ve opted to release Painlust, their most recent studio assault, through high profile noise/electronic/industrial label Malignant Records, making it much easier for schmucks like me to track down this half-hour long exercise in mechanized malevolence.
I haven’t really heard much straight-up death metal that tickles my fancy in 2015, so it was a pleasant surprise to get a copy of Negative Vortex’s Tomb Absolute in the mail from the ever-reliable Caligari Records. Indeed, the Oakland, CA-based quartet kicks up quite the storm of burly ‘n’ bulldozing DM on their debut demo, which will surely appeal to fans who can’t get enough of the genre at its most crushingly traditional.
I haven’t been able to find much historical information on UK doom mongers Sloth. The band apparently formed in London in 1999, but even Metal Archives doesn’t seem to know exactly when they called it a day. My attempts to find interviews with/articles on the band online have been utterly unsuccessful, and reviews of the album are also all but non-existent. Its quite a shame really, because The Voice of God is as exquisite a slab of soul-withering stoner doom as you’re likely to find this side of Electric Wizard.
With an album title like Grim, Hateful and Drunk, it’s pretty easy to guess what you’re getting from France’s Devilspit. Filthy, punk-influenced black metal is the name of the game here, so if you’re into similarly scuzzy shit such as Whipstriker and DeathCult, you best grab a bottle or twelve of your favorite rotgut and cuddle up with this disgusting tape, which is currently being peddled in a limited edition of two hundred by our pals at the venerable Caligari Records.
Philadelphia, PA’s Nihilistinen Barbaarisuus first came to my attention early last year when I received the band’s excellent debut full length Synkkä Tuuli for review along with the equally great Väinämöinen EP. The young band’s grim yet sweeping and melodic brand of icy black metal instantly grabbed my attention; it’s the kind of black metal that sinks its claws in instantly and drags you kicking and screaming into its frostbitten world, something that’s becoming increasingly rare as the scene continues to splinter in innumerable directions, often losing sight of what made it such a powerful form of expression in the process.
If there’s one thing I’ve learned about Sacramento in the ten months I’ve lived here, it’s that this city loves its doom and sludge. I’m sure as hell not complaining, especially when we get shows of this caliber; long-running LA sludge godfathers -(16)- descending upon the Starlite Lounge along with Oakland sludge/punk legends Brainoil, SF noise rockers Kowloon Walled City and hometown doom-lords-in-the-making Church was indeed a dream show for fans of all things slow ‘n’ low.
Gore House Productions is on a mission to brutalize the living hell out of 2015. First they pummeled us to a pulp with Bloodscribe’s Prologue to the Apocalypse, now they’re stomping the bloody remains into the ground with Completely Devoured, a short sharp shock of an EP from Riverside, CA’s Hideous Rebirth. It’s ten-and-a-half minutes of chainsaw guitars and gristle-gargling vocals that manages to leave a mark in spite of its brevity.