Weeping Rat – Tar (Handmade Birds, 2015)

1526659_825951394136465_8729640222783617169_nSacramento was positively drenched with rain last weekend.  The meteorologists called it an “atmospheric river;” I called it a great time to wallow in some seriously depressing music to match the shitty weather. As far as I’m concerned, there’s no better band in 2015 to accompany overcast skies and sheets of (probably toxic) precipitation than Australia’s Weeping Rat.  The band is set to drop their debut album Tar via the mighty Handmade Birds, and it’s a deliciously dismal listen, to say the very least.

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White Spot – Father Songs. (self-released, 2015)

a1772135258_10I’ve been listening to various forms of heavy music for a long time, and as the years go on, my attention span gets shorter and shorter, especially when it comes to choosing bands to write about.  Basically, if your band can’t pique my interest within the first thirty seconds of the first song (excluding intros), consider yourselves SOL.  This has made it increasingly difficult to discover new acts to cover, as it seems that much of the scene is currently plagued by a complete and total lack of ability to self-edit.

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The Smashing Pumpkins – Monuments to an Elegy (Martha’s Music/BMG, 2014)

smashing-pumpkins-monuments-to-an-elegy-1024x1024During my misspent youth, I obsessed over so-called “alternative rock” almost as much as I did heavy metal.  Among my favorites was The Smashing Pumpkins; the band’s swirling and spacey yet surprisingly metallic hard rock was like nothing I’d heard before at that point, and I found it much easier to identify with main man Billy Corgan’s nerd/asshole/hopeless romantic shtick than Kurt Cobain’s junkie poet.  I might have had more Nirvana posters on my wall, but I listened to Siamese Dream and Mellon Collie and the Infinite Sadness way more than I did Nevermind.

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THKD’s Top 10 Metal Albums of 2014 that I didn’t write about.

THKD2014In early December, I decided I wasn’t going to do a year end list.  It isn’t that I’m all of the sudden anti-list; I still love lists, but this year I just wasn’t feeling it.  I gotta be honest, after five years of doing THKD I’m fucking weary, and laboring over a list just felt like yet another metal writing chore.  Besides, if you read the blog regularly and follow me on social media, you already know what I liked this year.

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THKD’s Top 100 Metal Albums #11: Danzig – Danzig II: Lucifuge (Def American, 1990)

Danzig-Danzig-II-Lucifuge

How in the blue hell did I manage to get even this far into the THKD Top 100 without covering a Danzig album?!  Granted, the list is in no particular order, but given my Danzig super-fan status, you’d think I would’ve touched on one of the man’s records within the first few posts.  The bands/artists you love the most are always the most difficult to write about and let’s face it, I’ve already devoted a fairly exhaustive amount of digital ink to the goddamn mighty GD (here, here, here, here… need I go on?).  What’s left to say about my love for the man and his music at this point?

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Tony Tears – Voci dal Passato (Universal Consciousness, 2014)

a3992817145_10Universal Consciousness, the label run by Andorkappen of Lord Time (aka Sandor GF of Harassor), is home to some seriously “out there” metal acts.  Voci dal Passato, the debut full-length from Italy’s Tony Tears, might be the label’s weirdest release yet and a fine example of an outsider take on an established form within the metal paradigm.  Originally released independently back in 2009 and finally getting the vinyl treatment here, it’s forty minutes of quasi-psychedelic traditional doom that’ll likely leave you scratching your head for the first few listens, yet will quickly endear itself to you due to its naive charm.

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