Fuoco Fatuo – s/t (Caligari Records, 2013)

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Caligari Records is quickly shaping up to be a label that can do no wrong.  First, they ripped us to shreds with the black thrashing excellence of DeathCult.  Then, they pummeled the gory remains into dust with the chaotic, noise-damaged black metal of Unru.  Now they’ve unleashed the unholy Italian trio known as Fuoco Fatuo to finish us off with a limited run cassette that collects two impressively gnarly EPs (Fuoco Fatuo and 33 Colpi di Schizofrenia Astrale Nell’Abisso Nero) worth of obsidian doom metal.

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Your world will hate this: THKD’s Top 15 Metal Albums of 2013

THKD TOP 15 2013

Normally, this is the part where I get all reflective regarding the year in metal.  I had a scathing year-end rant all ready to go, an ice cold glass of haterade to throw in the faces of the all the people and things that annoyed, dismayed and pissed me off in 2013… and then I read what I’d written and realized that I sounded like a complete dick.  What’s the point in dwelling on the negative when there was so much good this year?  I had one hell of a hard time whittling down my list to just fifteen albums, and there’s still a lot out there that I’ve either yet to hear or yet to fully digest.  It’s pretty darn easy to ignore the mountain of crap when there’s an equally tall mountain of greatness staring you in the face, and yet sometimes I forget that… I guess that’s what my anti-depressants are for.
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THKD’s top 10 metal cassette and vinyl releases of 2013

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2013 is a pretty strange time to be a metal blogger.  Big-time labels won’t send me CDs that probably cost all of a dollar to manufacture, but small labels that probably struggle just to break even don’t hesitate to send me the cassette and vinyl releases they’ve obviously put a great deal of time and effort into, effort that goes far beyond the pressing plant cranking out “product” like so many widgets out of a factory.  With these releases comes a far more intimate relationship; personalized e-mails rather than e-mail blasts from publicists, and a genuine sense that these labels and artists actually care about what I have to say and genuinely appreciate my support.  It’s been an absolute joy to work with the likes of Gilead Media, Sygil Records and Caligari Records, but to be honest when people are so gracious, kind and above all patient, I’m pretty darn hesitant to call my interactions with them “work.”

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Metal Affective Disorder: THKD’s top 10 most depressing metal albums.

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According to my calendar, Winter doesn’t start until December 21st.  I call bullshit.  It’s dark when I get up to go to work in the morning, it’s dark when I get home from work and it’s freezing out.  It’s fucking Winter.  When this time of year rolls around, all I want to do is eat, sleep and listen to depressing music.  I’m not allowed to hibernate, so I cope with the darkness of the season by listening to music that’s equally dark.  Not wanting to keep the displeasure all to myself, I’ve selected ten of the most depressing albums in my Winter rotation to harsh your mellow and keep you appropriately bummed out until Spring rolls around… if you make it that long.

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Fister – Violence (Gogmagogical Records, 2012)

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I was completely unfamiliar with Fister when Gogmagogical Records sent me their Violence EP for review; the band name might lead you to believe we’re dealing with some kind of sex dungeon worthy gore/porno-grind, but instead it turns out I’ve been missing the boat on some seriously sinister-sounding sludge.  The St. Louis-based trio bring the pain in a way that will be familiar to fans of genre heavyweights such as Eyehategod and Iron Monkey, but also incorporates a knack for oppressive textures and atmospheres of a more esoteric variety that’s decidedly their own.
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Halfway to Hell: The year in metal so far.

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2013 has already been a hell of a year for metal. Unlike last year, which saw an overwhelming avalanche of stellar releases, 2013 so far has been more akin to 2011, which was all about quality over quantity. Granted, we’re only halfway through, but at this point I’m still finding it very easy to separate the wheat from the chaff, which certainly wasn’t the case at this time last year. I’m not particularly interested in make lists at this point, but I am interested in taking a look back at what’s transpired so far; it’s always good to recap in order to keep things fresh in your mind and fight the urge to fall back on listening to old shit.

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Beastwars – Blood Becomes Fire (Destroy Records, 2013)

Beastwars-Blood-Becomes-FireI’ve been meaning to check out New Zealand’s Beastwars for quite some time, but I’m ashamed to admit that the band somehow got lost in the disheveled and disorganized avalanche that is my “bands to check out” list when their self-titled debut was released back in 2011. In spite of this grievous error, it would appear the metal gods chose to smile upon me anyway, as my colleague Craig Hayes recently hooked me up with a promo of the band’s second album Blood Becomes Fire on the band’s behalf. Just one spin of the quartet’s sophomore opus had me cursing myself for a goddamn fool for not getting ’round to them sooner, because not only is this bad mama-jama right up my alley, it’s one of the all-around best metal albums I’ve heard so far in 2013.

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THKD’s Top 20 Metal Albums of 2012

2012 has been more stressful than a motherfucker; probably one of the most all-around stressful years of my life. Buying a house + assorted family and work-related issues that I wouldn’t even dream of getting into here managed to turn the year into a goddamn pressure-cooker. I’m pretty sure the only things that kept me alive were my wife’s unwavering love (and limitless patience) and an avalanche of incredible music. In 2011 I was feeling pretty jaded and dissatisfied with the state of heavy metal, this year I found myself feeling better about things than I have in years. That isn’t to say there weren’t great albums released in 2011, there were, but in 2012 I felt like there was so much greatness that I couldn’t possibly keep up with it all.

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Ground Zero: Backlit zine #0 issue out now!

Friends, Romans, THKD readers,

Roughly 5 months ago, Brandon Duncan (whom you may know from The Sequence of Prime) contacted me with an idea; let’s start a new online metal zine. Typically I prefer to work alone, but Brandon’s enthusiasm is contagious and I’m proud to call him my friend, so there was absolutely no way I could refuse. Brandon gathered an ace design team while I hand-picked some of my favorite writers from internet metal land with the express purpose of creating something new and unique, to drag the old school metal zine into the future, come Hell or high water with an emphasis on good old-fashioned writing and design.

After 5 months of hard work, I’m proud to present to all of you the fruits of our labors in the form of Backlit #0; fifteen pages of mind-melting music, art and literature.

Backlit / 0
Inaugural Issue
Now available at backlitzine.com
Cover Art by Dan Harding

Columns:

Raping Angels in America #1 / Joshua Haun
Angry Old Men / Jordan Campbell
Helpless Child / Dan Obstkrieg
Fucking The Future / Joshua Haun
Libations in the Labyrinth Vol. 1 / Dan Obstkrieg
Words That Wound / Dan Obstkrieg
Doomsday Device / Joshua Haun

Interviews:
Interview With Jester King Brewery / The Dragon of M87
Interview With Ashencult / Jordan Campbell

Art & Fiction:
Succubus in the Attic / Nikki Guerlain
Dan Harding: The Fine Art of Horror / Brandon Duncan

STAFF:

Overlords:
Joshua Haun
Brandon Duncan

Contributing Writers:
Joshua Haun
Jordan Campbell
Danhammer Obstkrieg
The Dragon of M87

Copy Editor:
Danhammer Obstkrieg

Design:
Brandon Duncan
Philip Tyson
Spencer Walker

I hope that you will all enjoy reading the first issue of Backlit as much as we enjoyed crafting it. This is only the beginning!

http://backlitzine.com/

Barghest / False – split (Gilead Media, 2012)

I always imagine splits as the musical equivalent of a pro wrestling cage match.  Two bands locked in combat, duking it out for supremacy in an all-out slugfest; there is no escape, there must be a winner.  No matter how great both bands may be, it is inevitable that the listener will find one more appealing than the other, essentially making him or her the “special guest referee.”
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