Ash Borer – Bloodlands (Gilead Media, 2013)

relic47-pvviiHot on the heels of last year’s excellent Cold of Ages (review HERE), California black metallers Ash Borer are back with Bloodlands, an EP set to be released by everyone’s favorite vinyl porn purveyors, Gilead Media.  The quintet have already proven themselves to be among the finest of the current crop of young upstart USBM bands, and Bloodlands not only cements their position but continues to build upon the impressive foundation they’ve assembled for themselves across a handful of splits, demos and full lengths.
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Avakr – A Word From Within (Sygil Records, 2013)

3367083332-1Of all the labels that have contacted me within the past year or so requesting coverage, Sygil Records is surely among the most interesting.  These guys have an ear for excellence from across the spectrum of extreme music, from drone to doom to black metal, and I’m pretty enamored with all of the various releases they graciously sent me for review.  First and foremost among them is A Word From Within, the debut full length from Bloomington, Indiana black metal duo Avakr.
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Backlit #1 out now!

backlit01_bigcover

Another poison arrow in the heart of print is now unleashed…

http://backlitzine.com/1/

Backlit / 1
Early 2013
Now available at http://backlitzine.com/
Cover Art by Christian Edler

Articles, Columns & Interviews:
Frayed Threads of Vanity / Kyle Harcott
Worship Black Twilight / Jordan Campbell
Interview With Wreck & Reference / Josh Haun
Interview With Voivoid / Josh Haun
Midnight Ride of the Graveyard Mule / Jordan Campbell
Doomsday Device #2 / Josh Haun
Raping Angels in America #2 / Josh Haun
Libations in the Labyrinth Vol. 2 / Danhammer Obstkrieg
Beneath The Grime #1 / Jon Rosenthal
Progressive Regression / Jordan Campbell

Art & Fiction:
Perfume Virus / Jordan Krall
Interview with Christian Edler / Brandon Duncan & Philip Tyson

Staff:

Overlords:
Joshua Haun
Brandon Duncan

Contributing Writers:
Joshua Haun
Jordan Campbell
Dan Obstkrieg
Kyle Harcott
Jon Rosenthal

Copy Editor:
Dan Obstkrieg

Design:
Brandon Duncan
Philip Tyson
Spencer Walker

Exclusive album stream: The Beyond – Frostbitepanzerfuck

PrintIn a time when both black metal and punk rock are about as threatening as a switchblade comb, The Beyond are bringing back the danger and showing us how to get rude, crude and evil as hell with their debut full length, Frostbitepanzerfuck, which is being released tomorrow by the mighty Horror Pain Gore Death Productions (you can purchase the CD HERE).  From the gnarly Murder Junkies-esque assault of “Roto-Cunt” to the zombified crawl of “Exterminate Humanity,” the album is a twenty-eight minute lesson in violence that wastes no time in slitting your throat and sodomizing the bloody corpse.

THKD is excited to present an exclusive stream of Frostbitepanzerfuck in its entirety; you can find the stream after the jump, as well as a brief interview with vocalist/guitarist Danny Starkiller.  Enjoy or die.
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Demoncy – Enthroned is the Night (Forever Plagued Records, 2012)

Demoncy 2012 Enthroned Is The NightThe last time I heard US black metal OG Demoncy was 1999′s Joined in Darkness, an ultra-gnarly one-man affair that to this day is one of the most desolate, subterranean-sounding recordings I’ve ever experienced. I somehow missed out on 2003′s Empire of the Fallen Angel, which was apparently a full band effort and not nearly as well-received; I have a hard time imagining Demoncy as anything other than a solitary undertaking, both as an entity and a listening experience, as Joined in Darkness is surely one of those albums best digested in complete isolation, darkened room optional, but definitely preferred. Given my fondness for that now fourteen-year-old album, I was very much looking forward to a proper sequel, and I’m pleased to say that Demoncy mastermind Ixithra has delivered with Enthroned is the Night, released last year on Forever Plagued Records, a label that’s quickly becoming a force to be reckoned with.

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The Beyond – Frostbitepanzerfuck (Horror Pain Gore Death Productions, 2013)

frontcoverPennsylvania-based miscreants The Beyond bill themselves as a cross between punk rock and black metal; picture for a moment GG Allin fronting ’90s Profanatica and that’s almost exactly what you’re getting with the band’s debut full length, Frostbitepanzerfuck.  When the first song on an album is called “Roto-Cunt,” and two tracks later you’re getting bashed in the skull by a cover of the aforementioned Allin’s own “Cunt Sucking Cannibal,” with “Goat Sodomizer” sandwiched in-between, you should have a pretty good idea of what you’re in for.  This is gutter-piss punk metal that wants to fill your every orifice with sticky black jism; PC police, enter at your own risk and prepare to get fucked.
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Darkest Grove – Coming of 2012 (Forever Plagued Records, 2012)

DGCOVER2012The year 2012 has come and gone, and sadly, our planet was not ripped apart at the seams by the apocalypse. This unfortunate turn of events doesn’t stop Darkest Grove’s Coming of 2012 from being one of the most impressive and potent US black metal offerings I’ve come upon in recent times. While the musical stylings of Darkest Grove mastermind Devoid Being may be rooted in the most ancient of black metal traditions, it is the excellence of execution on display here that sets the album apart from the glut of USBM bands that have crawled out of the woodwork in recent times.

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THKD’s Top 20 Metal Albums of 2012

2012 has been more stressful than a motherfucker; probably one of the most all-around stressful years of my life. Buying a house + assorted family and work-related issues that I wouldn’t even dream of getting into here managed to turn the year into a goddamn pressure-cooker. I’m pretty sure the only things that kept me alive were my wife’s unwavering love (and limitless patience) and an avalanche of incredible music. In 2011 I was feeling pretty jaded and dissatisfied with the state of heavy metal, this year I found myself feeling better about things than I have in years. That isn’t to say there weren’t great albums released in 2011, there were, but in 2012 I felt like there was so much greatness that I couldn’t possibly keep up with it all.

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Interview: THE ASH EATERS

I must admit, I was late to the party on Brown Jenkins; I didn’t hear them until the inimitable Nathan T. Birk sent me a copy of Death Obsession while he was doing PR work for the once prominent black metal label Moribund Cult. I fell instantly in love with the band’s spellbinding attack, which blended elements of black metal, doom and gothic rock with an appropriately Lovecraftian sense of dread and crumbling sanity. I gave the album a glowing review for the now-defunct Sonic Frontiers(dot)net and subsequently came into contact with band mastermind Umesh Amtey. That correspondence blossomed into a friendship that I’ve had the pleasure of enjoying for several years now; although Amtey and I have never met in person, I consider him a close comrade and look forward to the day when we can raise our glasses together in the same room.

As a result of our friendship, I’ve had the distinct privilege of watching the next phase of Amtey’s musical journey come into being. The Ash Eaters shares some traits with Brown Jenkins, but is an all together different beast. The guitar-work is more complex, the arrangements are more frantic, attacking the listener from every direction, while at the same time remaining catchy and memorable; Amtey has drawn from a wide range of influences and pushed them forward in every way imaginable.

I’ve been waiting for my chance to interview Mr. Amtey, so when he finally gave Ruining You, the debut Ash Eaters full length, to the world after a string of shorter releases, I knew the time had finally come. While I’ve had many private conversations with him regarding his musical history, motivations, influences, etc, I wanted to afford my readers the same opportunity to learn more about this truly unique individual and the excellent music he’s been releasing over the past several years. I contacted Mr. Amtey via e-mail for the following interrogation.

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Mutilation Rites / Havok @Vaudeville Mews, Des Moines, IA 11/11/12

First thing’s first; yes, Skeletonwitch did headline this show. However, I opted not to cover them in this review for a variety of reasons. First and foremost because I’ve been following the band since 2007′s Beyond the Permafrost and wanted to enjoy them as a fan rather than a “journalist;” snapping photos, taking notes and trying to remember setlists often feels a lot like “work,” and no matter how enjoyable that work may be, it isn’t the same as just watching and enjoying a band for no other reason than pure entertainment. Secondly, does Skeletonwitch really need another live review, considering the heights they’ve achieved within the metal underground in terms of popularity (especially when their current tour is almost over with)? I’m thinking the answer is “no,” so I decided it might be more rewarding from the “journalist” perspective to focus on Mutilation Rites and Havok, the young and hungry opening bands who might have a bit more use for the exposure.

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