When most of us think of the Misfits, we’re thinking of the legendary Glenn Danzig-fronted lineup that walked among us from 1977 to 1983. The band that single-handedly invented horror punk, and went on to influence a slew of heavy metal bands from Metallica to Marduk. But what about the other Misfits? In 1995, Misfits bassist Jerry Only and his brother Doyle re-activated the group sans Danzig after a protracted legal battle with the singer ended with Only retaining the ability to record and tour using the name, while he and Danzig split the merchandising rights. The brothers recruited drummer Dr. Chud and vocalist Michale Graves and set out to re-establish themselves as an active band over a decade after the Misfits’ heyday.
Back in 2012, South Africa’s Wildernessking came seemingly out of nowhere with The Writing of Gods in the Sand, an album that combined the progressive black metal maelstrom of Enslaved with the sweeping, epic attack of Primordial to create music that was as uplifting and cathartic as it was dark and heavy. After releasing a follow-up EP that same year, the band went quiet; a surprising move given the notoriety they’d quickly gained on the strength of those two excellent releases. Fast-forward to 2014 and the Cape Town-based quartet have broken their silence with The Devil Within, an EP that showcases the band at their most scathing; I got in touch with bassist/vocalist Keenan Oakes to discuss this new release and find out what the future has in store for the mighty Wildernessking…
It’s been a far too long since THKD has done a giveaway, so I’m excited to announce that we’ve partnered with up-and-coming black/death/thrash metal band Dismemberment, Horror Pain Gore Death Productions and Dewar PR to give one lucky reader the mad hookups!
Dismemberment is giving away a t-shirt and CD of their killer new album Embrace the Dark to a THKD reader who will be chosen at random. All you have to do to enter is go to the THKD Facebook page and find our post about the contest, “like” and “share” the post and you will be entered for a chance to win! You can also go to the THKD Twitter page and find our tweet about the contest. “Favorite” and “re-tweet” our contest tweet there and you will also be entered! The contest will run from 3/31/14 to 4/7/14, at which time a winner will be chosen at random. You can check out the album at the link below!
Good luck and thanks for entering!
I hadn’t intended to review The Satanist; Behemoth has long been a favorite band of mine and I had planned to enjoy their first new recording in five years purely as a fan. Sometimes it’s good to just kick back and blast an album at top volume without having to analyze its every nook and cranny, and I was looking forward to doing just that. But the thing is, while I certainly didn’t expect Behemoth to disappoint, I also didn’t expect them to take such a stunning turn, releasing one of their best albums to date a full twenty-three years deep into their career.
Whenever I want to look beyond the promo pile for new music, I inevitably head for Bandcamp. The site is a veritable world of wonders, a treasure trove of music from across the genre spectrum just waiting to be discovered, and best of all a ton of it is free. The problem is, I discover so much good stuff every time I go on a trawl, it’s nearly impossible for me to write about all of it, or at least, not in a full-on 400 to 600 word review format. So, I decided to start up a semi-regular feature highlighting my favorite Bandcamp discoveries, some new, some old, some great, some absurd, some evil as hell. Without further ado, let’s uh, plunge into the first edition of Bandcamp Band Crap.
It’s been quite a while since I did one of these (over a year, to be slightly more precise), but frankly there hasn’t been a whole lot of new stuff on the brutality front that’s really tripped my trigger of late. In fact, it’s only been within the past month or so that enough gory goodies have piled up to make it worth doing. The initial two installments of Oodles of Brutals were all about slam and brutal death metal, but this time around we’ll mostly be focusing on tech death. I’m pretty darn picky about this stuff, as there is an extremely fine line between mind-bending technicality and “Hey, look what we can do!” fret-wankery, so it’s a bit of a surprise that so much of this stuff has been able to grab me, but it’s a neck-snappingly pleasant one. Let’s dive in…
Yes, I realize that it’s beyond pretentious of me to be writing this, but I see so many metal blogs popping up out of the woodwork and so many of them getting it wrong in one way or another that I decided it was time to dust off the old soapbox. Who am I to say what’s right and what’s wrong? Well, I’ve been doing THKD for almost five years now (and before that Sonic Frontiers(dot)net for two years); I get a pretty fair amount of page views per month for a blog that doesn’t recycle press releases, and people I consider fairly prominent in our little community have both publicly praised my work and trashed the living shit out of it. I’ve also been asked to write for a few other blogs (Invisible Oranges, Metal Bandcamp, Cryogenic Husk and a few I’ve respectfully turned down) and recently embarked on a series of collaborative posts with Last Rites. Surely I must be doing something right?