I’ve been meaning to check out New Zealand’s Beastwars for quite some time, but I’m ashamed to admit that the band somehow got lost in the disheveled and disorganized avalanche that is my “bands to check out” list when their self-titled debut was released back in 2011. In spite of this grievous error, it would appear the metal gods chose to smile upon me anyway, as my colleague Craig Hayes recently hooked me up with a promo of the band’s second album Blood Becomes Fire on the band’s behalf. Just one spin of the quartet’s sophomore opus had me cursing myself for a goddamn fool for not getting ’round to them sooner, because not only is this bad mama-jama right up my alley, it’s one of the all-around best metal albums I’ve heard so far in 2013.
After Kurt Cobain blew his brains out in 1994, alternative rock, the supposed savior of the mainstream, took a shit and died. The loss of Nirvana seemingly created a domino effect; the remaining “big bands” of the genre either broke up, imploded or simply petered out, with the exception of Pearl Jam, who became alt rock’s answer to The Grateful Dead (as if we needed another one), while the lesser known bands went back underground. For me, those bands belong to a certain time and place; Nirvana, Soundgarden, Pearl Jam and Alice in Chains were a big part of the soundtrack to my teenage years. I didn’t discriminate between heavy metal and so-called grunge; it was all just a bunch of ugly, hairy dudes with guitars playing big, loud riffs.
Roughly 5 months ago, Brandon Duncan (whom you may know from The Sequence of Prime) contacted me with an idea; let’s start a new online metal zine. Typically I prefer to work alone, but Brandon’s enthusiasm is contagious and I’m proud to call him my friend, so there was absolutely no way I could refuse. Brandon gathered an ace design team while I hand-picked some of my favorite writers from internet metal land with the express purpose of creating something new and unique, to drag the old school metal zine into the future, come Hell or high water with an emphasis on good old-fashioned writing and design.
After 5 months of hard work, I’m proud to present to all of you the fruits of our labors in the form of Backlit #0; fifteen pages of mind-melting music, art and literature.
Backlit / 0
Now available at backlitzine.com
Cover Art by Dan Harding
Raping Angels in America #1 / Joshua Haun
Angry Old Men / Jordan Campbell
Helpless Child / Dan Obstkrieg
Fucking The Future / Joshua Haun
Libations in the Labyrinth Vol. 1 / Dan Obstkrieg
Words That Wound / Dan Obstkrieg
Doomsday Device / Joshua Haun
Interview With Jester King Brewery / The Dragon of M87
Interview With Ashencult / Jordan Campbell
Art & Fiction:
Succubus in the Attic / Nikki Guerlain
Dan Harding: The Fine Art of Horror / Brandon Duncan
The Dragon of M87
I hope that you will all enjoy reading the first issue of Backlit as much as we enjoyed crafting it. This is only the beginning!
Unless you’ve been living under a rock, you’re aware that Baroness were very recently involved in what appears to be an absolutely horrific bus accident, while on tour in the UK, leaving three-fourths of the band seriously injured (as well as various members of their crew). This would be an absolutely tragic thing to befall any band, but it is even more so for Baroness when one considers the triumph that is their third album, the fantastic Yellow & Green.
Glenn Danzig is experiencing a bit of a career renaissance of late. Not only has he released Deth Red Sabaoth, his best album in years, he also recently lent his legendary pipes to the song “Father’s Grave”(listen above). The track is a duet with ex-Hole/Smashing Pumpkins bassist Melissa Auf Der Maur and appears on her solo album Out of Our Minds.
I’m not sure how I feel about Auf Der Maur’s vocals, but Danzig sounds fantastic. He should do more songs like this.