Yes friends, I realize that hating on any Venom album that isn’t Welcome to Hell, Black Metal or At War with Satan is the cool kid thing to do. But, I’ve never been one of the cool kids, and as such I’ve found much to enjoy amidst Venom’s latter-day discography; even if those albums aren’t as ground-breaking as the first three, that doesn’t mean they aren’t entertaining. From the Very Depths is Cronos and Co.’s thirteenth full length, and although it’s by no means perfect, it’s certainly as enjoyable a slab of throwback heavy metal as you’re likely to encounter in 2015.
Finland’s Archgoat have been spewing their patently barbaric brand of blackness since 1989 and are the very definition of a “cult band;” they’ve put out only three full length albums in their two-plus decades of existence including 2015’s The Apocalyptic Triumphator, which makes its release feel like a special event. But it’s not just special because it’s a rare occurrence; the simple fact of the matter is that Archgoat do this style of bestial black/death metal better than just about any other band in existence.
Of all the trends that have to come to prominence within the metal underground over the last several years, the murky/cavernous death metal thing is surely the least interesting (pro tip: if you really want to piss some people off, refer to this junk as “caverncore”). In fact, I’d say my interest in bands shitting out non-riffs from underneath a pile of wet blankets is exactly zero. But there are exceptions to every rule, and the mysterious Canadians known as Malsanctum have proven that there is something to be said for this sub sub genre with Metamorbid Fetishization, their debut(?) release on Germany’s ever-prolific Iron Bonehead Productions.
There’s no shortage of great shows happening in Sacramento every month, but the dregs of being a responsible adult often keep me from going to them. When you’re a corporate lackey that gets up for work bright and early at 6:45 AM, going to a show on a weeknight that doesn’t even start until 8:00 PM isn’t really in the cards. But there was no way I was going miss out on Incantation; the death metal legends are celebrating their 25th anniversary with a string of West Coast dates, and with Funerus, Mortuous and Plague Widow in tow, this one was guaranteed to be a rager.
It’s been a while since I’ve discovered anything particularly worthy of coverage via Bandcamp, but just when I was about to give up hope, I stumbled upon Psalm 88, a sub-label of Berkeley’s Acephale Winter Productions that’s dedicated to producing limited edition C20 cassettes featuring black metal’s rawest of the raw. The fledgling venture has already cranked out four releases in just a year of existence, all available on tape or for pay-what-you-want download. All four releases are well worth your time, and you guys know I’m not a fan of lengthy intros, so let’s dive right in.
With a name like Torture Corpse, one might expect this project to be brutal death metal, but nothing could be further from the truth. Instead, this mysterious entity creates blackened noise of the most filthy and disgusting variety; imagine a band playing rudimentary black metal inside a collapsing factory full of malfunctioning, broken down machinery and you’re getting close, or instead of imagining it you could just hit the “play” button on the embed I’ve posted above. If you do, prepare to have your ears blown out by some truly vile shit that’ll appeal to fans of everything from Merzbow to Xasthur.
In early December, I decided I wasn’t going to do a year end list. It isn’t that I’m all of the sudden anti-list; I still love lists, but this year I just wasn’t feeling it. I gotta be honest, after five years of doing THKD I’m fucking weary, and laboring over a list just felt like yet another metal writing chore. Besides, if you read the blog regularly and follow me on social media, you already know what I liked this year.