If there’s one thing I’ve learned about Sacramento in the ten months I’ve lived here, it’s that this city loves its doom and sludge. I’m sure as hell not complaining, especially when we get shows of this caliber; long-running LA sludge godfathers -(16)- descending upon the Starlite Lounge along with Oakland sludge/punk legends Brainoil, SF noise rockers Kowloon Walled City and hometown doom-lords-in-the-making Church was indeed a dream show for fans of all things slow ‘n’ low.
Gore House Productions is on a mission to brutalize the living hell out of 2015. First they pummeled us to a pulp with Bloodscribe’s Prologue to the Apocalypse, now they’re stomping the bloody remains into the ground with Completely Devoured, a short sharp shock of an EP from Riverside, CA’s Hideous Rebirth. It’s ten-and-a-half minutes of chainsaw guitars and gristle-gargling vocals that manages to leave a mark in spite of its brevity.
Alright, you guys know I’m not much for “news bits,” but Sacramento’s Church are a band I’ve been super-duper excited about ever since seeing them open for Dispirit late last year, and now that their debut recordings are finally available on ye olde interwebs in the form of Unanswered Hymns, I wanted to make sure THKD readers had the scoop before all the big online metal outlets get a hold of this great band.
It’s been a quiet year so far on the slam/brutal death metal front here at THKD. I get a serious hankering for this shit every so often, and due to the lack of promos I have to admit I’ve been jonesing hardcore for the right band to come along and crush my skull with some ignorant slams. Just when I was about give up hope, my friends at Gore House Productions hit me upside the head with Prologue to the Apocalypse, the debut full length from Los Angeles’ Bloodscribe. Although the album clocks in at a mere twenty-six minutes, it has managed to more than satisfy my craving for a hefty dose of brutality.
It’s been a while since I’ve discovered anything particularly worthy of coverage via Bandcamp, but just when I was about to give up hope, I stumbled upon Psalm 88, a sub-label of Berkeley’s Acephale Winter Productions that’s dedicated to producing limited edition C20 cassettes featuring black metal’s rawest of the raw. The fledgling venture has already cranked out four releases in just a year of existence, all available on tape or for pay-what-you-want download. All four releases are well worth your time, and you guys know I’m not a fan of lengthy intros, so let’s dive right in.
No matter what you think of Machine Head vocalist/guitarist/mastermind Robb Flynn, it can’t be denied that he’s one ambitious motherfucker. Following his band’s unfortunate descent into the deepest, darkest gutters of the nu metal ghetto, Flynn has re-molded Machine Head back into a post-thrash/groove metal juggernaut, known for penning epic-length tunes that cram more riffs and moods into eight to ten minutes of music than most bands of similar ilk bring to the table over the course of entire albums. For those familiar with Flynn’s tendency to throw everything and the kitchen sink into his records, it should come as no surprise then that Bloodstone & Diamonds, Machine Head’s eighth full length release, is their most sprawling and wildly varied work to date.
Longtime THKD readers will recall that late last year I finally got to see Danzig live after being a fan of the man and his music for twenty years. Considering the fact that the set included a slew of Danzig classics + a mini-set of Misfits songs featuring Doyle Wolfgang Von Frankenstein on guitar, I was convinced that I could pretty much die happy.