DeathCult – The Test of Time (Caligari Records, 2013)

533690_498822426845855_397733024_nBeing a one-man project released on cassette, you’d probably be expecting DeathCult’s The Test of Time to be some kind of depressive/suicidal/ambient black metal clusterfuck.  Fortunately you couldn’t be more wrong, because this Chicago-based maniac’s stock-in-trade is ripping, heavily blackened thrash that as expected pays its grim respects to the unholy trinity (Venom/Bathory/Celtic Frost), while at the same time putting its own nasty-ass stamp on one of metal’s gnarliest subgenres.
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Arnaut Pavle – demo (Vlad Tapes, 2013)

1082881369-1If it hasn’t by now become readily apparent, black metal cassettes are here to stay.  Sure, big name metal bands like Pig Destroyer are getting in on the act, but I’m pretty sure that has more to do with labels smelling a potential trend to jump on than any sort of real appreciation for the lo-fi aesthetic.  Cassettes work for black metal because sounding like shit works for black metal.  It is a genre of music more perfectly suited to the format than any other; dark, ugly and fucking primitive.
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Worship Black Metal Cassettes: Scratching the surface of Crepusculo Negro and Rhinocervs.

In my review of Blut Der Nacht’s excellent Demo MMXI, I talked a little about the rise of cassette culture within the American black metal underground over the last few years.  Some see it as nostalgia, others see it as pure gimmickry.  I see it as a way to bring black metal back to its roots, a return to the DIY ethos, primitivism and shadowy mystique the genre was built upon.

The cassette is a cheap way of reproducing and distributing music.  I haven’t gone to the trouble of actually pricing tape production and duplication (maybe some readers can shed light on that in the comments?), but I can guarantee that it is much more cost-effective than having CDs and especially vinyl pressed.  In this respect, it is the perfect format for bands that have no interest in dealing with Heavy Metal Inc, and although black metal has long since been absorbed into the establishment, there’s no time like the present to take it back underground.  With that said, it should be noted that some cassette-based labels, specifically Crepusulo Negro and Rhinocervs (probably the two most infamous), have begun working with larger, more established labels such as Profound Lore and The Ajna Offensive to get some of their releases (Dolorvotre, Tukaaria, Odz Manouk) on CD, but this is surely due more to outside interest and demand.  These cassette releases are cheap to purchase (typically $5 – $8) and are often extremely limited, selling out in a matter of days or even hours, and therefore not always readily available.  Also, no matter how much metal fans might want to hear this stuff, many are unwilling to embrace the cassette due to its supposed limitations.  This need for wider distribution and other formats is a consequence of releasing great music that people want to hear, and it’s much better than forcing fans to go scouring the internet for often janky downloads of these sold out releases.  Of course, the fact that the music is being released on a format which many find unacceptable only adds to the clandestine nature of these bands and the music they create, and in my mind a little of that mystique dies every time I hear about this stuff coming out on CD or even vinyl.  Nonetheless, what these bands are creating is some of the most compelling modern black metal I’ve heard in years (much more on this later), and deserves to be heard and made widely available.
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