THKD T-SHIRT SALE!

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Hey friends, now that we’re all moved it’s time to clean out the closet. I have a ton of band shirts that I never wear, sizes M, L and XL, most are in excellent condition (unless otherwise noted) and have barely been worn, some probably never worn at all. Below is the master list, all shirts are $8.00 each PPD unless otherwise noted and if you don’t like the price make me an offer! Feel free to spread the word and help a brother out. I will be happy to supply photos of any shirts you might be interested in. Message me here or e-mail me at jjhaun@gmail.com (serious inquiries only). US customers only please.

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Hocked my brains, packed my bags and headed west.

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As those of you that have the misfortune of following me on social media may know, Mrs. THKD and I have packed up the fortified bunker and are moving halfway across the country from the bowels of the Midwest to Sacramento, California.  The truck is loaded, the house is sold and we’ll be leaving in less than a week.  I’m still waiting for it to feel real.  Right now it feels like a dream.  I tried so hard to get the hell out of this state after college, and all I got in return were some nice rejection letters to show for it.

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Eyehategod – s/t (Housecore Records, 2014)

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Hard to believe it’s been fourteen years since Eyehategod’s last full length, Confederacy of Ruined Lives.  That album was my first Eyehategod experience; I admittedly came late to the band (keep in mind I was twelve when In the Name of Suffering came out), but it was a true case of love at first listen.  Sure, I was well-versed in metal by the time I picked up the album at my local Best Buy, but I had never heard anything quite like their ultra-corrosive Black Flag meets Black Sabbath in a dark alley blues, and I couldn’t wait for my next fix.

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Cassette Label Summit 2014

 

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I’ve spent a lot of time covering cassettes here at THKD, not just because I dig them, but because I truly believe that some of the best and most interesting heavy music today is being released by smaller labels who have embraced the format as an affordable way to bring the underground to the masses.  As such, my relationship with several of these labels has become far more personal than just receiving an e-mail blast from some faceless PR company; their owners have proven to be incredibly personable and genuinely appreciative of the coverage I’ve given them.  But, as deeply as I’ve delved into cassettes and as much as I’ve chatted with those who are in the business of releasing them, I still had many unanswered questions.  What motivates them?  What brought them to the format?  At the end of the day, does the format even matter?  In an attempt to answer these and many other questions, I gathered the gents behind the labels for a virtual round table discussion of all things tape-related.

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Heavydeath – Demo I (Caligari Records, 2014)

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Between the two of them, Johan Backman and Nicklas Rudolfsson have done time in heavy hitting Swedish acts such as Sacramentum, The Funeral Orchestra, Necrocurse and Runemagick, but when the two come together as Heavydeath is when things get really, uh, heavy.  Indeed, the duo have crafted a deep, dark, death doom voyage with their first demo, appropriately titled Demo I, and just as you might expect from seeing the Caligari Records logo stamped on the j-card, it’s a very good one.  Oh, and did I mention yet that it’s heavy?

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Sun Splitter – Live on WFMU (Sol y Nieve, 2014)

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Longtime readers of THKD know that I’m typically not big on live recordings. But, I am big on Sol y Nieve; the upstart Idaho-based label has already released two of this year’s finest slabs of black metal in the form of Nemorensis’ The Lady in the Lake and Hellebore’s Anouof Thwo, so if they deem a live release to be worthy of the same treatment, then I’ll sure as hell give it a listen.  I’m glad I did, because Sun Splitter’s Live on WFMU is a sonic nightmare of ultra-corrosive industrial metal that’s more than managed to win me over in spite of my admitted prejudice towards live material.

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Demon Head – Demo 2014 (Caligari Records, 2014)

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When traditional/proto-doom is done right, there are few things finer, and few if any bands are doing it better than Demon Head.  The Copenhagen-dwelling quintet recently had a demo tape released by the venerable Caligari Records, and it’s a slow-burning scorcher that quite frankly blows recent big-name practitioners of the style such as Kadavar and Orchid out of the water.  It really is that damn good.

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Fuoco Fatuo – The Viper Slithers in the Ashes of what Remains (Caligari Records, 2014)

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When I reviewed Fuoco Fatuo’s suffocatingly heavy EP compilation late last year, I stated that we’d likely have an absolute beast on our hands whenever the band got around to releasing a full length.  I hate to say I told you so, but it turns out this is one of those extremely rare occasions where I was right; the Italian trio have at last unleashed The Viper Slithers in the Ashes of what Remains, and you can rest assured that this crawling king snake of an album is every bit the monster you’d expect it to be.

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Weightlessness – Of Lachrymose Grief (Graceless Recordings, 2014)

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What’s in a name?  I’ll tell you what’s in a name, or rather, what’s not in a name in the case of California doom mongers Weightlessness.  After listening extensively to the band’s Of Lachrymose Grief, I’ve decided that their chosen moniker couldn’t possibly be any more of a misnomer.  You see, “weightlessness” indicates an absence of weight, but this debut EP wields enough down-tuned heft to sink their entire home state into the sea and then some.

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The Sun Through a Telescope – I Die Smiling (Mutants of the Monster, 2013)

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I first made mention of the one-man experimental metal madness that is The Sun Through a Telescope as a band to look out for back in 2011, when Bandcamp was just beginning to worm its way into the hearts and minds of metalheads.  While those early TSTAT releases skewed toward corrosive, feedback-drenched drone, the project took a drastic step forward later on that year with the release of the Summer Darkyard EP, which saw mainman Lee Neutron beginning to incorporate elements of black metal and electronic/industrial music into its apocalyptic framework.  But even that massive evolutionary leap couldn’t prepare me for the all-out insanity of I Die Smiling, which is not only TSTAT’s first full length release but also Herr Neutron’s most compelling and cohesive work to date.
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