Interview: PARADISE LOST

Ester SegarraIf there’s one thing I hate doing, it’s writing intros to interviews.  Fortunately, Paradise Lost is a band that needs no introduction.  The death/doom/gothic metal pioneers have been releasing great music for nearly three decades now, and that enduring legacy continues with their latest full length, The Plague Within, which is out June 1st via Century Media.  Legendary vocalist Nick Holmes graciously answered my questions about their stunning new album via e-mail.

Continue reading

Weeping Rat – Tar (Handmade Birds, 2015)

1526659_825951394136465_8729640222783617169_nSacramento was positively drenched with rain last weekend.  The meteorologists called it an “atmospheric river;” I called it a great time to wallow in some seriously depressing music to match the shitty weather. As far as I’m concerned, there’s no better band in 2015 to accompany overcast skies and sheets of (probably toxic) precipitation than Australia’s Weeping Rat.  The band is set to drop their debut album Tar via the mighty Handmade Birds, and it’s a deliciously dismal listen, to say the very least.

Continue reading

Beastmilk – Climax (Svart Records, 2013)

Beastmilk Climax cover

There are few things that please me more right now than this resurgence we’re currently seeing in the gothic sounds of the 1980s within the realm of heavy music.  It appears that metal musicians have taken a shining to the the stuff of late, or maybe they’re getting bored with metal, or perhaps they always had it and are only now allowing themselves to cut loose and release the bats.  Whatever the case, Helsinki’s Beastmilk are absolutely killing it with their debut album, Climax.

Continue reading

Listen to: Ghost Noise

0001468284_20

A man cannot live by metal alone.  The problem is, I don’t keep up with other styles of music as obsessively and consistently as I do metal, so when I want something new to listen to that falls outside the genre, I’m often at a bit of a loss.  Not sure where to turn, I recently started trawling Bandcamp to see if I could find anything of note that didn’t involve screaming, Satan, loud guitars and the like.  Most of the bands I found were total duds, but after much intense searching I stumbled across the Los Angeles trio Ghost Noise, and suddenly all was right with the world.
Continue reading

Atriarch – Ritual of Passing (Profound Lore, 2012)

Rumors of deathrock’s uh, death, are greatly exaggerated. Pinkish Black proved it was still alive and well with their excellent self-titled debut earlier this year, and now Portland, Oregon’s Atriarch have knocked it out of the goddamn park with Ritual of Passing. This isn’t your granddaddy Rozz Williams’ deathrock though. While it might be built on a tortured foundation similar to what bands like Christian Death were putting down back in the day, Atriarch breaths new life into the genre by incorporating the musical vocabularies of doom and black metal into their approach, making their brand of diseased heaviness that much more, well, deathly.

Continue reading

Interview: THE ASH EATERS

I must admit, I was late to the party on Brown Jenkins; I didn’t hear them until the inimitable Nathan T. Birk sent me a copy of Death Obsession while he was doing PR work for the once prominent black metal label Moribund Cult. I fell instantly in love with the band’s spellbinding attack, which blended elements of black metal, doom and gothic rock with an appropriately Lovecraftian sense of dread and crumbling sanity. I gave the album a glowing review for the now-defunct Sonic Frontiers(dot)net and subsequently came into contact with band mastermind Umesh Amtey. That correspondence blossomed into a friendship that I’ve had the pleasure of enjoying for several years now; although Amtey and I have never met in person, I consider him a close comrade and look forward to the day when we can raise our glasses together in the same room.

As a result of our friendship, I’ve had the distinct privilege of watching the next phase of Amtey’s musical journey come into being. The Ash Eaters shares some traits with Brown Jenkins, but is an all together different beast. The guitar-work is more complex, the arrangements are more frantic, attacking the listener from every direction, while at the same time remaining catchy and memorable; Amtey has drawn from a wide range of influences and pushed them forward in every way imaginable.

I’ve been waiting for my chance to interview Mr. Amtey, so when he finally gave Ruining You, the debut Ash Eaters full length, to the world after a string of shorter releases, I knew the time had finally come. While I’ve had many private conversations with him regarding his musical history, motivations, influences, etc, I wanted to afford my readers the same opportunity to learn more about this truly unique individual and the excellent music he’s been releasing over the past several years. I contacted Mr. Amtey via e-mail for the following interrogation.

Continue reading