Anaal Nathrakh – Vanitas (Candlelight, 2012)

AnaalNathrakh_Vanitas_rgb-e1346952747622I haven’t exactly been keeping up with Anaal Nathrakh.  Sure, I’ve heard a track here and there over the years, but the last time I actually listened to a full album was 2004’s Domine Non Es Dignus.  It wasn’t that I wasn’t interested in the band, in fact quite the contrary, I absolutely loved the balls-to-the-fucking-wall slab of filth-grinding extremity that was The Codex Necro, and the aforementioned Domine… received a glowing review from yours truly when I was writing for my college paper.  But the way Mick Kenney and Dave Hunt continuously crank out albums, especially when the music is so patently assaultive, is extremely overwhelming; I have a hard enough time keeping up with metal as it is.  So, here I am revisiting Anaal Nathrakh with Vanitas after missing four full lengths, and damn it feels good to be back.
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Pig Destroyer – Book Burner (Relapse, 2012)

I think I was the only person in the world that wasn’t excited about the prospect of a new Pig Destroyer album. After the grinding greatness that was Prowler in the Yard and the warped masterpiece that was Terrifyer, the band’s fourth album, 2007’s Phantom Limb, was a total letdown. It wasn’t that Phantom Limb was bad by any means, but with its emphasis on longer compositions, breakdowns and grooves, it simply wasn’t what I wanted from a Pig Destroyer album, and as a result it failed to resonate with me. So, when the news broke that the Virginia-based grinders would be unleashing their first batch of new material in half a decade in the form of Book Burner, and the wheels of the hype machine subsequently started to turn, it only served to further lessen my enthusiasm for a long-overdue album from a band that had seemingly “lost it.”

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Early Graves – Red Horse (No Sleep Records, 2012)

If you were to listen to Early Graves’ Red Horse without knowing anything about the band’s history, you’d probably never guess that this is a band that has risen from the ashes of tragedy.  This is not a band that sounds broken down or beaten; this is a band that sounds lean, mean and hungry, ready to raise Hell and rip some fucking heads off.  It is a testament to Early Graves’ intestinal fortitude that they were not only able to recover from losing their original vocalist in a horrible accident, but to write, record and release their definitive album (so far) in the process.
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That’s How Kids Die vs The Sequence of Prime: Round II

The Sequence of Prime’s Brandon Duncan isn’t just a musician and artist I admire.  He’s someone that I’m happy and proud to call my comrade; sometimes our conversations lead me to suspect he really is my brother from another mother.  His music is a whirlwind of grinding, mechanized thrash, while his art is equal parts cosmic, apocalyptic and futuristic.  In honor of the release of Inter-, his latest collection of face-rippers under The Sequence of Prime moniker, we chatted over a series of e-mails about everything from the new album, to HP Lovercraft, to the multiverse.  Read on for one hell of a verbal ride…

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For Those About to Rot: Exhumed @ People’s Court 04/16/12

The last time Exhumed played in Des Moines, it was the middle of July.  If you’ve never been to Iowa in mid-Summer, imagine being trapped in a giant pair of sweatpants and forced to walk through someone’s sweaty, overheated crotch; now you’ve got a pretty good idea of what humidity in the Midwest is like.  It’s the kind of heat that causes old people and animals to spontaneously drop dead.  Now, imagine a tiny venue with no air conditioning smack dab in the middle of that nasty-ass environment.  These were the conditions Exhumed were forced to weather their first time playing our little one-horse town, so it’s something of a small miracle that they actually agreed to come back.  Granted, they’re in the midst of a high-profile tour with death metal kingpins Cannibal Corpse (for more on them, wait for my upcoming review of their new album, Torture), but still, I can’t imagine that initial encounter made a very good impression.
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Napalm Death – Utilitarian (Century Media, 2012)

Napalm Death are an institution.  In three decades of existence, they have remained at the forefront of extreme music, constantly evolving and refining their sound while at the same time staying true to the band’s roots in early grindcore and punk.  Despite the fact that there are no original members left in the lineup, they have never faltered in quality or watered down their singular vision in order to get ahead; their integrity and dedication has become something of a gold standard by which all other grindcore bands are judged.  Utilitarian is Napalm Death’s fourteenth album, and it finds the band sounding as potent and relevant as ever.
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Revenge – Scum.Collapse.Eradication (Nuclear War Now!, 2012)

It’s been four long years since we last heard from Canadian filth purveyors Revenge, but I can assure you that the aptly titled Scum.Collapse.Eradication was more than worth the wait.  No other band on the planet is capable of harnessing hatred and scorn into a chaotic yet controlled whirlwind of pure electric death the way the duo of drummer/vocalist J. Read and guitarist/bassist Chris Ross (aka Vermin) do on Revenge’s fourth full length.  Even though the band’s basic approach on Scum.Collapse.Eradication differs in only the most subtle of ways from that of previous outings, the fact remains that Revenge are so goddamn good at what they do that their return to the frontlines of the war metal battleground is always a welcome one.
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