Mutilation Rites – Empyrean (Gilead Media/Prosthetic, 2012)

Over the past few years, NYC has developed a reputation for spitting out black metal that falls squarely on the arty side of things, thanks largely to the misadventures of Hunter Hunt-Hendrix and his ego-vehicle Liturgy (burst beats! manifestos! oh, jeez!), as well as the epic-length Weakling-isms (now with a gazillion more notes!) of Krallice.  I know full well that it isn’t exactly fair, especially for an outsider such as myself, to judge the Big Apple’s black metal output based on the exploits of just two bands, but that doesn’t stop Mutilation Rites’ Empyrean from coming off like the pulverizing, nuclear-powered alternative to the somewhat pretentious NYCBM that ignited a hipster hunt throughout the internet metal ghetto.
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THKD’s Top 100 Metal Albums #5: Helmet – Meantime (Interscope, 1992)

Helmet’s Meantime was an odd bird when it was released in 1992.  Straddling the line between heavy metal and the alternative rock explosion that Nirvana had ushered in a year earlier, Helmet was probably the only band capable of getting airtime on both Headbanger’s Ball and 120 Minutes.  That’s how I discovered Helmet; I was thirteen years old and just beginning my headlong dive into the world of heavy music.  I remember seeing the video for “Unsung” and being struck by several things: 1) the riffage was absolutely crushing 2) no one in the band had long hair 3) was that a fucking pink ESP?!  Helmet looked and most importantly sounded like no other band I had encountered up to that point.
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