Many moons ago Relapse Records introduced me to noise. That’s probably a bit hard to imagine for younger folks that only know the label as the beard metal stronghold it is today, but trust me, way back when Relapse was releasing some seriously bonkers shit. You see, Relapse used to have a sub-label called Release Entertainment and it was to noise, dark ambient and experimental music what Relapse once was to death metal, grindcore and the like.
Few bands have captured my attention in 2014 quite like Full of Hell. I had the pleasure of witnessing the quartet’s devastating, show-stealing live set back in August and was blown away by their combination of relentless intensity and determination to push the envelope of grind/hardcore deep into the realms of harsh noise. It was like someone had thrown Jane Doe-era Converge in a blender with Release Records-era Merzbow and set that motherfucker to liquefy; easily one of the most simultaneously challenging and exhilarating live experiences ever. Needless to say, when I caught wind of the announcement that they had signed a deal with Profound Lore and their debut for the venerable label would be a collaboration with the aforementioned Japanese God of Noise himself, anticipation was through the roof and then some.
How in the blue hell did I manage to get even this far into the THKD Top 100 without covering a Danzig album?! Granted, the list is in no particular order, but given my Danzig super-fan status, you’d think I would’ve touched on one of the man’s records within the first few posts. The bands/artists you love the most are always the most difficult to write about and let’s face it, I’ve already devoted a fairly exhaustive amount of digital ink to the goddamn mighty GD (here, here, here, here… need I go on?). What’s left to say about my love for the man and his music at this point?
As much as I’ve championed brutal death metal here at THKD lately, I’d be remiss not to review the latest album from Cannibal Corpse, the proverbial granddaddies of ‘em all. I mean, I think we can all agree that this entire subset of death metal wouldn’t exist if it weren’t for the boys from Tampa, who’ve now been at it for an unbelievable twenty-six years. A Skeletal Domain is the thirteenth album in their lengthy, storied career and even after only being out for a few weeks it has already garnered opinions ranging from “it’s the best thing they’ve done since 2006’s Kill” to “it sounds like Cannibal Corpse.”
As Caligari Records continues to pick up steam, it’s becoming more and more difficult to keep up with the avalanche of quality cassettes. Fifteen releases deep and not a single dud in the bunch is a hell of a track record, and you can pretty much rest assured at this point that anything Caligari puts its name to is going to be excellent. Case in point: the label’s three latest releases are all very different from one another, but all well worth your time. So without further ado, let us investigate the latest from Caligari’s cabinet…
“Mature” probably isn’t the first word that comes to mind when one thinks of brutal death metal, hell it probably isn’t the five-hundredth word one thinks of. But I’ll be damned if Parables of Umbral Transcendence, the debut full-length from NY/FL-based project Swine Overlord isn’t a shockingly mature slab of BDM. The band has largely shed the slam leanings and cartoonish visual imagery of their earlier recordings in favor of a more pure brutal death metal sound accompanied by science fiction-influenced artwork, and as a result have released one of the genre’s best albums of 2014.
As a heavy metal fan, I’ve seen dozens of amazing shows. But I can probably count on one hand the number of shows that fully immersed me, the ones that made real life and all the horrific mundanity that goes with it melt away completely, the ones that made me feel like I was alone in the universe with nothing but the band and the music. Dispirit’s headlining set at the Starlite Lounge last Sunday night was one of them.